How to use the ProsessPilotene brand on screen and in print — logos, colours, typography and downloadable originals.
This manual is for everyone using the ProsessPilotene brand: customers, partners, agencies and our own team. It explains what is allowed, what works well and where to find the original files.
This page uses the same components and colour codes as the rest of the website, so what you see always reflects the current brand.
The mark and wordmark are the core of our identity. Use the original files, give them space and leave them unchanged.



Always leave clear space around the logo of at least ¼ of the mark's height on all sides. Keep text, graphics and edges outside this area.
Below the minimum size, use the mark alone without the wordmark. On digital surfaces the mark rotates 180° on interaction. This signature movement must not be reproduced at other angles.
The overall visual language should feel precise and geometric. Employer branding allows a more playful, dynamic and approachable expression. In both cases, logo elements may shape the design — reused, never redesigned.
A single petal from the mark can be used to crop staff photos and portraits.
Repeated at low opacity, the mark and the star shape between its petals create a decorative pattern for dark surfaces or employer branding.
Four colour families with five levels each, plus neutrals. The values below come directly from the codebase and stay in sync with the implementation.
The core of the brand — the foundation of the entire website.
Pastel
Light surface — page backgrounds and large areas
--brand-green-pastel
Neutral
Muted surface — borders and secondary areas
--brand-green-neutral
Tint
Light accent — highlights and decoration
--brand-green-tint
Primary
Saturated accent — signature elements and fills
--brand-green-primary
Earth
Dark and rich — text and dark surfaces
--brand-green-earth
The action colour — buttons, links and interactive elements.
Pastel
Light surface — page backgrounds and large areas
--brand-purple-pastel
Neutral
Muted surface — borders and secondary areas
--brand-purple-neutral
Tint
Light accent — highlights and decoration
--brand-purple-tint
Primary
Saturated accent — buttons and actions
--brand-purple-primary
Earth
Dark and rich — text and dark surfaces
--brand-purple-earth
The calm supporting colour — information and data visualisation.
Pastel
Light surface — page backgrounds and large areas
--brand-blue-pastel
Neutral
Muted surface — borders and secondary areas
--brand-blue-neutral
Tint
Light accent — highlights and decoration
--brand-blue-tint
Primary
Saturated accent — signature elements and fills
--brand-blue-primary
Earth
Dark and rich — text and dark surfaces
--brand-blue-earth
The warm contrast — delivery, energy and emphasis.
Pastel
Light surface — page backgrounds and large areas
--brand-orange-pastel
Neutral
Muted surface — borders and secondary areas
--brand-orange-neutral
Tint
Light accent — highlights and decoration
--brand-orange-tint
Primary
Saturated accent — signature elements and fills
--brand-orange-primary
Earth
Dark and rich — text and dark surfaces
--brand-orange-earth
Always available alongside every colour family.
White
Cards and content surfaces
--brand-white
Grey 100
Light grey surface
--brand-gray-100
Grey 300
Dividers and borders
--brand-gray-300
Grey 500
Muted details
--brand-gray-500
Grey 700
Secondary text
--brand-gray-700
Grey 900
Body text and logo
--brand-gray-900
Black
Maximum contrast
--brand-black
Distribute surfaces approximately 60/30/5/5: green dominates, purple carries primary actions, and blue and orange provide small accents — these are not four equal colours.
Approved pairs ready to use.
Primary paired with the family's own earth colour — reliable and legible.
Green should always dominate a mixed combination (see 60/30/5/5) — feel free to add one or two neutrals.
Colours from the same level — two primaries, two tints or two pastels — are too similar in lightness, producing low contrast and a flat appearance. Always combine different levels.
Gradients run from primary through tint to pastel within one family — use them instead of solid colours for backgrounds or animation. Do not mix families in a gradient.
Green
Purple
Blue
Orange
All colour combinations on the website are automatically checked against WCAG contrast requirements. The CMYK values above are the official print values from the design system — see the print chapter for colour profiles and other specifications.
Maison Neue Extended gives the brand its voice. Lato is the freely available fallback anyone can use.
Maison Neue Extended — primary typeface
We help people and processes take flight — safely, efficiently and with room to soar.
Display
Page headings and heroes
Processes that flow
H2
Chapters and sections
Processes that flow
H3
Subheadings
Processes that flow
Body text
Running text
Processes that flow
Detail
Captions and metadata
Processes that flow
Use Lato wherever Maison Neue Extended is unavailable, including email, documents and partner materials.
Lato is freely available through Google Fonts and does not require a paid licence.
Maison Neue Extended is commercially licensed and must not be shared or redistributed. Partners needing the original typeface for joint materials should contact us. Otherwise, Lato is the approved fallback.
How the brand appears in our products — live components, theme surfaces and accessibility.
Everything on this page — buttons, cards and colours — uses the same component library as the rest of the website. What you see here always reflects the current design.
Every hero on the website and in the app shares one hierarchy, one type scale and one spacing scale. Three variants cover every page: detail (text and image side by side), overview (breadcrumb, title and lead) and landing (larger title with the image behind the text). The examples below are the production components with sample content.
Detail variant — solutions, products, employees, events
God kundeservice gir fornøyde kunder
Customer service and case management
Én løsning for hele kundereisen — fra første henvendelse til lukket sak.
Brukes av Høyskolen Kristiania
Article variant — news, references, services
The data agent took a bigger role in analysis work
Access controls and source trails had to follow analysis and action through the workflow.
Overview variant — lists, topic pages, simple pages
Topics
Articles, events, projects and podcast episodes gathered by the topics we work with.
| Role | Treatment | Gap above |
|---|---|---|
| Breadcrumb | 14 px · 500 · 72 % foreground | — |
| Kicker | 14 px · 700 · uppercase · 0.08 em tracking | 32 px |
| Title | 2–3.5 rem fluid · Maison Neue Extended Bold · line-height 1.05 · max 24 characters | 12 px |
| Lead | 18–20 px · 400 · line-height 1.5 · max 60 characters · 85 % foreground | 20 px |
| Meta | 14 px · 500 · 72 % foreground | 24 px |
| Actions | Buttons and links from the component library | 32 px |
| Studio field | Role in the hero |
|---|---|
| Value proposition | Kicker |
| Page lead / “Which problems does the product solve?” | Lead |
| Hero media (image or video) | Image at its own aspect ratio; video always 16:9 |
| Trust statements | Meta group below the actions |
| Layout “Image centred, text over image” | Landing variant with the image behind the text |
| Hero variant “Title and breadcrumbs only” | Overview variant |
The website changes appearance by business area. Each theme selects palette colours for backgrounds, primary actions, secondary elements, accents and links, while components retain their roles.
General
Default — the home page and pages without a business area.
Light
Background
Primary
Secondary
Accent
Hero panel
Link
Dark
Background
Primary
Secondary
Accent
Hero panel
Link
Marketing
Campaign pages and marketing content.
Light
Background
Primary
Secondary
Accent
Hero panel
The same dark purple in light and dark mode.
Link
Dark
Background
Primary
Secondary
Accent
Hero panel
The same dark purple in light and dark mode.
Link
Sales
Sales processes and proposals.
Light
Background
Primary
Secondary
Accent
Hero panel
Link
Dark
Background
Primary
Secondary
Accent
Hero panel
Link
Service
Customer service and support.
Light
Background
Primary
Secondary
Accent
Hero panel
Link
Dark
Background
Primary
Secondary
Accent
Hero panel
Link
Delivery
Project delivery and operations.
Light
Background
Primary
Secondary
Accent
Hero panel
Link
Dark
Background
Primary
Secondary
Accent
Hero panel
Link
Colour roles are controlled by data-brand-theme on <html> and assigned automatically by business area. Each theme has light and dark variants with different tokens for the same roles, both shown above. Link is the text-safe version of the primary colour (≥ 4.5:1 contrast), not a separate brand colour.
--primary, --success, --warning, --info and --destructive must therefore never be used as text colours — use --link and the corresponding *-text variants instead. Every card on the website and in the app uses the same type scale and the same spacing scale. Three levels of hierarchy, expressed through size, weight and colour together.
Customer service | Article
How a card reads: the title first, the lead second, and taxonomy, metadata and call to action third.
card-kickercard-titlecard-leadcard-ctacard-metaContent sits in one centred column with a maximum width of 90rem (1440px), with side padding that grows with screen width: 16px on mobile, 24px on tablets, 40px on desktop.
Four fixed steps on an 8-point scale cover the spacing in and between cards. Related elements sit closer together than unrelated ones, and there is always more air between cards than inside them.
8px
Inside a group in the card
16px
Between groups in the card
24px
Fra kicker ned til tittel
24px
Padding around the card content
32px
Between cards in a section
Controls and dialogs use three fixed steps. Cards and sections have square corners; the image inside keeps the signature shape, with the bottom-right corner swept out to 48px.
0px
Cards and sections
8px
Small
12px
Medium
14px
Large
48px
Signature (images)
The same colour logic as the Office templates: a primary green header, alternating white and light neutral body rows, and a highlighted total row.
| Period | New | Won | Total |
|---|---|---|---|
| Q1 | 142 | 88 | 230 |
| Q2 | 156 | 94 | 250 |
| Q3 | 171 | 101 | 272 |
| Total | 469 | 283 | 752 |
Content blocks available to editors for articles and pages, rendered with the same components as the live website.
Here are the content blocks available to editors writing articles and pages, displayed using the same components as the live website.
The four link types — internal, external, email and telephone — as text and buttons, plus standalone links without surrounding paragraphs.
Read more at external link for details about Sanity.
Email us at post@prosesspilotene.no at any time.
Call us on +47 954 60 000 during opening hours.
See the design manual for the complete brand guidelines.
As a button: external link
As a button: post@prosesspilotene.no
As a button: +47 954 60 000
As a button: the design manual
external linkpost@prosesspilotene.no+47 954 60 000the design manualthe design manualThe nine text styles available in Studio. Rendered headings move down one level: Heading 1 becomes <h2>, Heading 2 becomes <h3>, through Heading 6 at <h6>, so body content never competes with the page heading.
Normal — body text without special formatting.
Lead — introductory text that stands apart from the body.
Quote — a block quote with a marker line on the left.
The three list types: bullets, numbers and checklists. A checklist renders as a numbered list with a fixed ✅ prefix on each item.
Formatting for selected text within a paragraph — bold, italic, code, underline, strikethrough and highlight — plus an inline icon.
Strong: bold text
Emphasis: italic text
Code: code text
Underline: underlined text
Strike: struck-through text
Highlight: highlighted text
sendinline icon (material-symbols:send)
The remaining blocks: divider, spacer, table, progress bar, tabs, accordion, timeline, quote, Mermaid diagram, source code, combobox/listbox, standalone icon and multiple columns. Tabs render without the usual components, so only plain paragraphs appear there. The code example uses PowerShell to expose issue #1544, where the component reads lang while Studio stores language.
“Quality is not an act, it is a habit.”
Approval workflow
Get-Process | Where-Object { $_.CPU -gt 100 }Opening hours
| Day | Open |
|---|---|
| Monday | 08:00–16:00 |
| Tuesday | 08:00–16:00 |
Content in the first tab — plain paragraph text.
The project began.
The solution went live.
Left column: body text in a multi-column section.
An image, image carousel and audio player using a real Cloudinary image and an audio file from the dataset.
These blocks exist in the CMS but cannot be displayed here:
Requirements and recommendations for using the brand in print.
The colour chapter lists the official CMYK print values from the design system. Print vector files (EPS/PDF) will be published here when exported. Until then, the SVG downloads provide sufficient resolution for most print materials.
Approved original files, ready to use.
Horizontal logo — negativePNG
Logo mark — negativePNG
Logo mark — social mediaPNG All downloads are served from Cloudinary. Use these links directly to stay on the current version. The negative and social media variants are generated from the same original using Cloudinary image transformations. Print PDF/EPS files will be added alongside the official print files from Figma. Contact us for other formats.